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| Type | Subsidiary of Walt Disney Pictures |
|---|---|
| Industry | |
| Predecessor(s) | Graphics Group of Lucasfilm Computer Division (1979–86) |
| Founded |
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| Founder(s) |
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| Headquarters | Emeryville, California, United States |
| Key people |
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| Products | Pixar Image Computer, RenderMan, Marionette |
| Owner(s) | The Walt Disney Company |
| Divisions | Pixar Canada |
| Website | pixar.com |
Pixar has produced thirteen feature films, beginning with Toy Story (1995). It was followed by A Bug's Life (1998), Toy Story 2 (1999), Monsters, Inc. (2001), Finding Nemo (2003), The Incredibles (2004), Cars (2006), Ratatouille (2007), WALL-E (2008), Up (2009), Toy Story 3 (2010), Cars 2 (2011), and Brave (2012). Twelve of the films have received both critical and financial success, with the notable exception being Cars 2, which, while commercially successful, has received substantially less praise than Pixar's other productions.[2] The studio has also produced several short films. As of February 2012, its feature films have made over $7 billion worldwide,[3] with its $602 million average gross by far the highest of any studio in the industry.[4] Three of Pixar's films—Finding Nemo, Up, and Toy Story 3—are among the 50 highest-grossing films of all time, and all of Pixar's films are among the 50 highest-grossing animated films, with Toy Story 3 being the all-time highest, grossing over $1 billion worldwide.
The studio has earned 26 Academy Awards, seven Golden Globe Awards, and eleven Grammy Awards, among many other awards and acknowledgments. Since the award's inauguration in 2001, most of Pixar's films have been nominated for the Academy Award for Best Animated Feature, with six winning; Finding Nemo, The Incredibles, Ratatouille, WALL-E, Up, and Toy Story 3. Up and Toy Story 3 are two of only three animated films to be nominated for the Academy Award for Best Picture. On September 6, 2009, executives John Lasseter, Brad Bird, Pete Docter, Andrew Stanton, and Lee Unkrich were presented with the Golden Lion for Lifetime Achievement by the Biennale Venice Film Festival. The award was presented by Lucasfilm founder George Lucas.
Contents |
History
Early history
In 1982, the team began working on film sequences with Industrial Light & Magic on special effects.[5] After years of research, and key milestones in films such as the Genesis Effect in Star Trek II: The Wrath of Khan and the Stained Glass Knight in Young Sherlock Holmes,[5] the group, which numbered 40 individuals back then,[1] was spun out as a corporation in February 1986 with investment by Steve Jobs shortly after he left Apple Computer.[1] Jobs paid $5 million to George Lucas for technology rights and put them and $5 million cash as capital into the company.[1] A factor contributing to Lucas' sale was an increase in cash flow difficulties following his 1983 divorce, which coincided with the sudden dropoff in revenues from Star Wars licenses following the release of Return of the Jedi. The newly independent company was headed by Dr. Edwin Catmull as President and Dr. Alvy Ray Smith as Executive Vice President. They were joined on the Board of Directors by Steve Jobs who was Chairman.[1]
Initially, while awaiting the consequences of Moore's law, that would reduce the cost of computing a film, Pixar was a high-end computer hardware company whose core product was the Pixar Image Computer, a system primarily sold to government agencies and the medical community. One of the buyers of Pixar Image Computers was Disney Studios, which was using the device as part of their secretive CAPS project, using the machine and custom software (written by Pixar) to migrate the laborious ink and paint part of the 2-D animation process to a more automated and thus efficient method. The Image Computer never sold well.[6] In a bid to drive sales of the system, Pixar employee John Lasseter—who had long been creating short demonstration animations, such as Luxo Jr., to show off the device's capabilities—premiered his creations at SIGGRAPH, the computer graphics industry's largest convention, to great fanfare.[6]
As poor sales of Pixar's computers threatened to put the company out of business, Jobs invested more and more money and took more and more ownership away from the management and employees until after several years he owned essentially all the company for a total investment of $50 million. Lasseter's animation department began producing computer-animated commercials for outside companies. Early successes included campaigns for Tropicana, Listerine, Life Savers and Terminator 2: Judgment Day.[7] In April 1990 Pixar sold its hardware division, including all proprietary hardware technology and imaging software, to Vicom Systems, and transferred 18 of Pixar's approximately 100 employees. The same year Pixar moved from San Rafael to Richmond, California.[8] During this period, Pixar continued its successful relationship with Walt Disney Feature Animation, a studio whose corporate parent would ultimately become its most important partner. In 1991, after a tough start of the year when about 30 employees in the company's computer department had to go (including the company's president, Chuck Kolstad),[9] which reduced the total number of employees to just 42, essentially its original number,[10] Pixar made a $26 million deal with Disney to produce three computer-animated feature films, the first of which was Toy Story. At that point, the software programmers, who were doing RenderMan and CAPS, and Lasseter’s animation department, who made television commercials and a few shorts for Sesame Street, was all that was left of Pixar.[11]
Pixar built a new studio in Emeryville which opened in November 2000.
Management and employee attitudes
Some commentators have recognised distinctive features of the way management has been organised at Pixar. Features of management noted have included: Jobs' attitudes and behaviours, including his inspiring of employees and his confidence in them; Pixar personnel's deeper commitment to their work and creations and the impact of those, than their desire for money; a lack of strict management practices and of a rigid hierarchy; the quality and aspirations of employees hired; the creativity and imagination of all individuals working at the company; the design of the Emeryville campus of Pixar as a social workplace, and the encouragement of cooperation, teamwork and open conversation between all levels of employees.Disney
Pixar and Disney had disagreements after the production of Toy Story 2. Originally intended as a straight-to-video release (and thus not part of Pixar's three-picture deal), the film was eventually upgraded to a theatrical release during production. Pixar demanded that the film then be counted toward the three-picture agreement, but Disney refused.[15] Though profitable for both, Pixar later complained that the arrangement was not equitable. Pixar was responsible for creation and production, while Disney handled marketing and distribution. Profits and production costs were split 50-50, but Disney exclusively owned all story and sequel rights and also collected a distribution fee. The lack of story and sequel rights was perhaps the most onerous aspect to Pixar and set the stage for a contentious relationship.[16]The two companies attempted to reach a new agreement in early 2004. The new deal would be only for distribution, as Pixar intended to control production and own the resulting film properties themselves. The company also wanted to finance their films on their own and collect 100 percent of the profits, paying Disney only the 10 to 15 percent distribution fee.[17] More importantly, as part of any distribution agreement with Disney, Pixar demanded control over films already in production under their old agreement, including The Incredibles and Cars. Disney considered these conditions unacceptable, but Pixar would not concede.[17]
Disagreements between Steve Jobs and then Disney Chairman and CEO Michael Eisner made the negotiations more difficult than they otherwise might have been. They broke down completely in mid-2004, with Jobs declaring that Pixar was actively seeking partners other than Disney.[18] Pixar did not enter negotiations with other distributors. After a lengthy hiatus, negotiations between the two companies resumed following the departure of Eisner from Disney in September 2005. In preparation for potential fallout between Pixar and Disney, Jobs announced in late 2004 that Pixar would no longer release movies at the Disney-dictated November time frame, but during the more lucrative early summer months. This would also allow Pixar to release DVDs for their major releases during the Christmas shopping season. An added benefit of delaying Cars was to extend the time frame remaining on the Pixar-Disney contract to see how things would play out between the two companies.[19]
Pending the Disney acquisition of Pixar, the two companies created a distribution deal for the intended 2007 release of Ratatouille, in case the acquisition fell through, to ensure that this one film would still be released through Disney's distribution channels. (In contrast to the earlier Disney/Pixar deal, Ratatouille was to remain a Pixar property and Disney would have received only a distribution fee.) The completion of Disney's Pixar acquisition, however, nullified this distribution arrangement.[20]
Disney had agreed to buy Pixar for approximately $7.4 billion in an all-stock deal.[21] Following Pixar shareholder approval, the acquisition was completed May 5, 2006. The transaction catapulted Steve Jobs, who was the majority shareholder of Pixar with 50.1%, to Disney's largest individual shareholder with 7% and a new seat on its board of directors.[22] Jobs' new Disney holdings exceeded holdings belonging to ex-CEO Michael Eisner, the previous top shareholder, who still held 1.7%; and Disney Director Emeritus Roy E. Disney, who held almost 1% of the corporation's shares.
Pixar shareholders received 2.3 shares of Disney common stock for each share of Pixar common stock redeemed.
As part of the deal, John Lasseter, by then Executive Vice President, became Chief Creative Officer (reporting to President and CEO Robert Iger and consulting with Disney Director Roy Disney) of both Pixar and Walt Disney Animation Studios, as well as the Principal Creative Adviser at Walt Disney Imagineering, which designs and builds the company's theme parks.[22] Catmull retained his position as President of Pixar, while also becoming President of Walt Disney Animation Studios, reporting to Bob Iger and Dick Cook, chairman of Walt Disney Studio Entertainment. Steve Jobs' position as Pixar's Chairman and Chief Executive Officer was also removed, and instead he took a place on the Disney board of directors.[23]
Jim Morris, producer of WALL-E, has been named general manager of Pixar. In this new position, Morris is in charge of the day-to-day running of the studio facilities and products.[26]
Expansion
On April 20, 2010, Pixar Animation Studios opened a new studio in the downtown area of Vancouver, British Columbia, Canada.[27] The roughly 2,000 square meters studio is primarily producing shorts and TV specials based on characters from Pixar's feature films. The studio's first production was the Cars Toons episode, "Air Mater."Feature films and shorts
Traditions
While some of Pixar's first animators were former cel animators, including John Lasseter, they also came from stop motion animation and/or computer animation or were fresh college graduates.[5] A large number of animators that make up the animation department at Pixar were hired around the time Pixar released A Bug's Life and Toy Story 2. Although Toy Story was a successful film, it was Pixar's only feature film at the time. The majority of the animation industry was, and is still located in Los Angeles, California, while Pixar is located 350 miles (560 km) north in the San Francisco Bay Area. Also, traditional 2-D animation was still the dominant medium for feature animated films.With the dearth of Los Angeles–based animators willing to move their families so far north, give up traditional animation, and try computer animation, Pixar's new-hires at this time either came directly from college, or had worked outside feature animation. For those who had traditional animation skills, the Pixar animation software (Marionette) is designed so that traditional animators would require a minimum amount of training before becoming productive.[5]
In an interview with PBS talk show host Tavis Smiley,[28] Lasseter said that Pixar films follow the same theme of self-improvement as the company itself has: with the help of friends or family, a character ventures out into the real world and learns to appreciate his friends and family. At the core, Lasseter said, "it's gotta be about the growth of the main character, and how he changes."[28]
Pixar has been criticized for its lack of female protagonists.[29][30] Brave, Pixar's thirteenth cinema release, is the studio's first with a female lead (voiced by Kelly Macdonald).
Sequels and prequels
Toy Story 2 was commissioned by Disney as a direct-to-video, 60-minute film. Feeling the material was not very good, John Lasseter convinced the Pixar team to start from scratch and make that their third full-length feature film. Toy Story 3 was the second big-screen sequel when it was released on June 18, 2010. Cars 2, the studio's third theatrical sequel, was released on June 24, 2011. On June 27, 2011, Tom Hanks implied that a Toy Story 4 was in the works, but this has not been confirmed by the studio.[31][32]Pixar states that they believe that sequels should only be made if they can come up with a story as good as the original. Following the release of Toy Story 2, Pixar and Disney had a gentlemen's agreement that Disney would not make any sequels without Pixar's involvement, despite their right to do so. In 2004, after Pixar announced they were unable to agree on a new deal, Disney announced that they would go ahead with sequels to Pixar's films with or without Pixar. Toy Story 3 was put into pre-production at the new CGI division of Walt Disney Feature Animation, Circle 7 Animation.
When Lasseter was placed in charge of all Disney and Pixar animation following the merger, he immediately put all sequels on hold; Disney stated that Toy Story 3 had been cancelled. However, in May 2006, it was announced that Toy Story 3 was back in pre-production and under Pixar's control when a new plot had been conceived.
Lasseter further fueled speculation on future sequels when he stated, "If we have a great story, we'll do a sequel."[33] Cars 2, Pixar's first sequel not based on Toy Story, was officially announced on April 8, 2008. Monsters University, the prequel to Monsters, Inc. and Pixar's first prequel, was announced on April 22, 2010, for release on November 2, 2012.[34] However, on April 5, 2011, it was announced that the film's release date had been pushed back to June 21, 2013 due to the success of Pixar films that are released in the summer, according to Disney distribution executive Chuck Viane.[35]
Adaptation to television
Toy Story was the first Pixar film to be adapted onto television, with the Buzz Lightyear of Star Command film and TV series. Cars was adapted to television via Cars Toons, a series of shorts (three to five minutes) running between regular Disney Channel shows and featuring Mater (the tow truck voiced by comedian Larry the Cable Guy).[36]Animation and live-action
All Pixar films to date have been computer-animated features (WALL-E has so far been the only Pixar film not to be completely animated, featuring a small live-action element). 1906, the live action film by Brad Bird about the 1906 earthquake, is currently in development. Bird has stated that he was "interested in moving into the live action realm with some projects" while "staying at Pixar [because] it's a very comfortable environment for me to work in."Product pipeline
In 2008, Pixar announced Newt, a story about the last two blue-footed newts in existence destined to mate to save their species from extinction,[37] scheduled for release in June 2012. This project was to be followed by the fantasy film The Bear and the Bow, which was eventually retitled as Brave.[38]In April 2010, Disney/Pixar announced that, instead, The Bear and the Bow would be released first, under the new name Brave, followed by a sequel to the 2001 Pixar feature Monsters, Inc. later that year.[39] Also, Newt was removed from the official Disney A to Z Encyclopedia supplement by chief archivist Dave Smith,[40] who confirmed that the film had been cancelled.[41][42] In May 2011, Pixar CEO John Lasseter implied that Newt had been cancelled due to having a similar plotline to Blue Sky Studios' film Rio.[43]
Upcoming projects
The upcoming Monsters University, a prequel to the 2001 film Monsters, Inc., will be followed by one film "about the inside of a girl's mind,"[44] and The Good Dinosaur, a film about a world in which dinosaurs never became extinct.[45]In April 2012, Pixar announced their intention to create a film centered on the Mexican holiday Día de los Muertos[46] and to be directed by Lee Unkrich.[47]
Exhibitions
Since December 2005, Pixar has held exhibitions celebrating the art and artists of Pixar, over their first twenty years in animation.[48]Pixar: 20 Years of Animation
Pixar celebrated 20 years in 2006 with the release of Pixar's seventh feature film, Cars, and held two exhibitions, from April to June 2010, at Science Centre Singapore, in Jurong East, Singapore, and the London Science Museum, London.[49] It was their first time holding an exhibition in Singapore.The exhibition highlights consist of work-in-progress sketches from various Pixar productions, clay sculptures of their characters, and an autostereoscopic short showcasing a 3D version of the exhibition pieces which is projected through 4 projectors. Another highlight is the Zoetrope, where visitors of the exhibition are shown figurines of Toy Story characters "animated" in real-life through the zoetrope.[49]
Pixar: 25 Years of Animation
Pixar celebrated 25 years of animation in 2011 with the release of its twelfth feature film, Cars 2. Pixar had celebrated its 20th anniversary with the first Cars. The Pixar: 25 Years of Animation exhibition was held at the Oakland Museum of California from July 2010 until January 2011.[50] The exhibition tour debuts in Hong Kong, and was held at the Hong Kong Heritage Museum in Sha Tin, between March 27 and July 11, 2011.[51][52]Pixar: 25 Years of Animation includes all of the artwork from Pixar: 20 Years of Animation, plus art from Ratatouille, WALL-E, Up, and Toy Story 3
Pixar is a CGI production company based in Emeryville, California, United States. The studio has earned numerous awards for their feature films and other work, including twenty-six Academy Awards, five Golden Globes and three Grammys. Pixar is best known for these CGI-animated features created with PhotoRealistic RenderMan, its own implementation of the industry-standard Renderman image-rendering API used to generate high-quality images.
As of June 2012, Pixar has released thirteen films, all released under the Walt Disney Pictures banner. The company produced its first feature-length film, Toy Story, in 1995. The film won an Academy Award and was nominated for three others. It set a benchmark in terms of animation to which other film companies have since aspired. The success of the film led Pixar to release a sequel, Toy Story 2, in 1999, following their second CGI production, A Bug's Life in 1998. Monsters, Inc. was the next project to be released in 2001, and the following six features Finding Nemo, The Incredibles, Cars, Ratatouille, WALL-E, and Up were highly successful. The eleventh film, Toy Story 3, has become the highest-grossing animated film of all time worldwide. Their twelfth film is Cars 2 which is a sequel to Cars, the second film to have a sequel. Both Toy Story 3 and Cars 2 are the most expensive Pixar movies to ever be produced, at an estimated budget of $200 million each. Their thirteenth film is Brave which got an estimated budget of $185 million.
Films
| Title | Year | Director(s) | Writer(s) | Producer(s) |
|---|---|---|---|---|
| Toy Story | 1995 | John Lasseter | Original Story: John Lasseter & Pete Docter & Andrew Stanton & Joe Ranft Screenplay: Joss Whedon & Andrew Stanton & Joel Cohen and Alec Sokolow |
Ralph Guggenheim and Bonnie Arnold |
| A Bug's Life | 1998 | John Lasseter Co-Director: Andrew Stanton |
Original Story: John Lasseter & Andrew Stanton & Joe Ranft Screenplay: Andrew Stanton & Donald McEnery & Bob Shaw |
Darla K. Anderson and Kevin Reher |
| Toy Story 2 | 1999 | John Lasseter Co-Directors: Ash Brannon and Lee Unkrich |
Original Story: John Lasseter & Pete Docter & Ash Brannon & Andrew Stanton Screenplay: Andrew Stanton & Rita Hsiao & Doug Chamberlin & Chris Webb |
Helene Plotkin and Karen Robert Jackson |
| Monsters, Inc. | 2001 | Pete Docter Co-Directors: David Silverman and Lee Unkrich |
Original Story: Pete Docter & Jill Culton & Jeff Pidgeon & Ralph Eggleston Screenplay: Andrew Stanton & Daniel Gerson |
Darla K. Anderson |
| Finding Nemo | 2003 | Andrew Stanton Co-Director: Lee Unkrich |
Original Story: Andrew Stanton Screenplay: Andrew Stanton & Bob Peterson & David Reynolds |
Graham Walters |
| The Incredibles | 2004 | Brad Bird | John Walker | |
| Cars | 2006 | John Lasseter Co-Director: Joe Ranft |
Original Story: John Lasseter & Joe Ranft & Jorgen Klubien Screenplay: Dan Fogelman & John Lasseter & Joe Ranft & Kiel Murray & Phil Lorin & Jorgen Klubien |
Darla K. Anderson |
| Ratatouille | 2007 | Brad Bird Co-Director: Jan Pinkava |
Screenwriter: Brad Bird Original Story: Jan Pinkava & Jim Capobianco & Brad Bird |
Brad Lewis |
| WALL-E | 2008 | Andrew Stanton | Original Story: Andrew Stanton & Pete Docter Screenplay: Andrew Stanton & Jim Reardon |
Jim Morris |
| Up | 2009 | Pete Docter Co-Director: Bob Peterson |
Story: Pete Docter & Bob Peterson & Tom McCarthy Screenplay: Bob Peterson & Pete Docter |
Jonas Rivera |
| Toy Story 3 | 2010 | Lee Unkrich | Story: John Lasseter & Andrew Stanton and Lee Unkrich Screenplay: Michael Arndt |
Darla K. Anderson |
| Cars 2 | 2011 | John Lasseter Co-Director: Brad Lewis |
Original Story: John Lasseter & Brad Lewis & Dan Fogelman Screenplay: Ben Queen |
Denise Ream |
| Brave | 2012 | Mark Andrews and Brenda Chapman Co-Director: Steve Purcell |
Story: Brenda Chapman Screenplay: Mark Andrews & Steve Purcell and Brenda Chapman & Irene Mecchi |
Katherine Sarafian |
In production
| Title | Release date | Director(s) | Writer(s) | Producer(s) |
|---|---|---|---|---|
| Monsters University[1] | June 21, 2013 | Dan Scanlon | Pete Docter and Andrew Stanton | Kori Rae |
| The Good Dinosaur[2][3][4] | May 30, 2014 | Bob Peterson Co-Director: Peter Sohn |
Bob Peterson[5] | John Walker |
| The Untitled Pixar Movie that Takes You Inside the Mind [4][6][7] | June 19, 2015 | Pete Docter Co-Director: Ronnie del Carmen |
Michael Arndt | Jonas Rivera |
| Untitled film[8] | November 25, 2015 | TBA | TBA | TBA |
| Finding Nemo 2 [9] | 2016 | Andrew Stanton[10] | Victoria Strouse [9] | TBA |
|
The Untitled Pixar Movie About Día de los Muertos [4] |
TBA | Lee Unkrich | TBA | Darla K. Anderson |
Canceled projects
A film entitled Newt was planned for a 2012 release, but was later canceled.[11] John Lasseter noted that the film's proposed plot line was similar to that of another film, Blue Sky Studios' Rio, which was released in 2011.[12]Possible future productions
A sequel to The Incredibles is also being considered,[13] and Tom Hanks revealed that a fourth Toy Story movie is in development, though Pixar still has yet to give an official confirmation.[14][15]Co-production
Buzz Lightyear of Star Command: The Adventure Begins is a 2000 traditionally animated film made by Disney Television Animation while Pixar made the opening as well as owning the Buzz Lightyear character. The show led to a television cartoon series of the same name with Pixar doing the CGI parts of the opening theme.Related productions
Planes is an upcoming direct-to-DVD spin-off of Cars made by DisneyToon Studios and produced by John Lasseter. The film is conceived from the short film Air Mater that introduces aspects of Planes and even ends with a hint of the movie.Reception
Critical reception
| Film | Rotten Tomatoes Overall |
Rotten Tomatoes Top Critics |
Metacritic |
|---|---|---|---|
| Toy Story | 100%[16] | 100%[16] | 92/100[17] |
| A Bug's Life | 92%[18] | 95%[18] | 77/100[19] |
| Toy Story 2 | 100%[20] | 100%[20] | 88/100[21] |
| Monsters, Inc. | 95%[22] | 88%[22] | 78/100[23] |
| Finding Nemo | 99%[24] | 100%[24] | 89/100[25] |
| The Incredibles | 97%[26] | 95%[26] | 90/100[27] |
| Cars | 74%[28] | 73%[28] | 73/100[29] |
| Ratatouille | 96%[30] | 98%[30] | 96/100[31] |
| WALL-E | 96%[32] | 98%[32] | 94/100[33] |
| Up | 98%[34] | 95%[34] | 88/100[35] |
| Toy Story 3 | 99%[36] | 100%[36] | 92/100[37] |
| Cars 2 | 38%[38] | 46%[38] | 57/100[39] |
| Brave | 78%[40] | 70%[40] | 69/100[41] |
| Average Ratings | 89% | 83/100 | |
Box office performance
| Film | Release date | Opening | Budget | Domestic | Worldwide | Ref(s) |
|---|---|---|---|---|---|---|
| Toy Story | November 22, 1995 | $29,140,617 | $30,000,000 | $191,796,233 | $361,958,736 | [42] |
| A Bug's Life | November 25, 1998 | $33,258,052 | $120,000,000 | $162,798,565 | $363,398,565 | [43] |
| Toy Story 2 | November 24, 1999 | $57,388,839 | $90,000,000 | $245,852,179 | $485,015,179 | [44] |
| Monsters, Inc. | November 2, 2001 | $62,577,067 | $115,000,000 | $255,873,250 | $525,366,597 | [45] |
| Finding Nemo | May 30, 2003 | $70,251,710 | $94,000,000 | $380,231,184 | $921,131,184 | [46] |
| The Incredibles | November 5, 2004 | $70,467,623 | $92,000,000 | $261,441,092 | $631,442,092 | [47] |
| Cars | June 9, 2006 | $60,119,509 | $120,000,000 | $244,082,982 | $461,983,149 | [48] |
| Ratatouille | June 29, 2007 | $47,027,395 | $150,000,000 | $206,445,654 | $623,722,818 | [49] |
| WALL-E | June 27, 2008 | $63,087,526 | $180,000,000 | $223,808,164 | $521,311,860 | [50] |
| Up | May 29, 2009 | $68,108,790 | $175,000,000 | $293,004,164 | $731,342,744 | [51] |
| Toy Story 3 | June 18, 2010 | $110,307,189 | $200,000,000 | $415,004,880 | $1,063,171,911 | [52] |
| Cars 2 | June 24, 2011 | $66,135,507 | $200,000,000 | $191,452,396 | $559,852,396 | [53] |
| Brave | June 22, 2012 | $66,323,594 | $185,000,000 | $236,619,922 | $534,719,922 | [54] |
| Total Grosses | $1,751,000,000 | $3,308,410,665 | $7,784,417,153 | [55] | ||
| Average Grosses | $61,861,032 | $254,402,176 | $598,587,291 | [55] | ||
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